Shot through with the archaic beauty of Meredith Oakes’ libretto and brought to life in a dazzling and thought-provoking production by Robert Lepage, ‘among the most important and successful operas of the 21st century’, ‘one of the most satisfying operas to blow onto the stage of the Met in years.’. The opera The Tempest is inspired by Shakespeare’s play, rather than literally being based on every aspect of it. The Met Opera: Thomas Ades' Tempest Excerpt, Live in The Greene Space - Duration: 3:19. Best service. A fantastic production (at the Met, 2012) by Robert Lepage of a new (2004) opera which is I think one of the very few contemporary operas that will find a place in the repertory. There are a number of ways of tapping into this opera and others at will. The Met will be recording and simulcasting audio/video footage in the opera house today. "Great Performances at the Met" Thomas Adès: The Tempest (TV Episode 2012) cast and crew credits, including actors, actresses, directors, writers and more. Anyone who doubts new classical music’s capacity to be lyrical, when it wants to be, would do well to give The Tempest a spin. Covent Garden revived the opera in March 2007 with the same production team, Thomas Adès conducting, and many of the original London cast, including Simon Keenlyside, Cyndia Sieden, Ian Bostridge, Toby Spence, Philip Langridge, and Stephen Richardson repeating their original roles. Paul Kilbey reviews Thomas Adès' The Tempest at the Metropolitan Opera, live in HD at The Lexi Cinema, Kensal Rise. Thomas Adès’ opera The Tempest has been praised the world over and performed over 50 times since its premiere at the Royal Opera House in 2004. This was one of those occasions, ‘The new production of Thomas Adès's opera, ‘The score manages the nearly impossible task of our postmodern era: being eclectic without feeling inorganic or inauthentic. Our privacy policy was last updated on Friday 31 January 2020, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2012. Tuesday, May 12. Mostly, though, the visual and dramatic elements seemed subordinate to the musical content, which was spellbinding from first to last. Then there is “The Tempest,” the composer Thomas Adès’s adaptation of the Shakespeare play, which had its premiere at the Royal Opera at Covent Garden in London in 2004. Thomas Adès, the composer and creator of this work (Covent Garden, 2004), is considered to be one of the world’s most popular contemporary opera composers. With Simon Keenlyside. Before attending Saturday night's performance at the Met, I spent the afternoon rereading the Shakespeare play. Experience The Metropolitan Opera's performance of The Tempest (Adès) live in HD on November 10th! Adès gets rid of Shakespeare’s moving epilogue and lets Caliban have the last word. It’s a part described as for “high baritone” but it sounds at times more like a pure tenor role, and at others like a low-ish baritone one. BBC Radio 3 Opera on 3 — Live from the Met, The Tempest, by Thomas Ades. Fast delivery. It’s hard to know where to start with the large and uniformly brilliant cast, though the two non-humans Ariel and Caliban do deserve particular mention. Ariel is an almost unbelievably high role for coloratura soprano, and Audrey Luna’s stratospheric performance met its demands perfectly. Audrey Luna (Ariel). Simon Keenlyside’s Prospero was immensely impressive. The Met’s new version comes courtesy of Robert Lepage, who has chosen to set this adaptation of Shakespeare’s play inside a 19th-century recreation of Milan’s La Scala opera house. Encore presentation screens on January 12. There are key images from the play as well as new material. Soprano Deborah Voigt will host the broadcast.The Tempest was originally seen live in movie theaters on November 10 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 1900 … The Met Streams The Tempest Tuesday May 13, 2020 May 13, 2020 Reno Arts News 0 Comments. It’s pretty luxurious to be able to stumble out of your front door at ten to six, wander five minutes round the corner to your friendly local cinema, be greeted with a glass of sparkling wine, and then watch a high-definition live screening of a top contemporary opera production at the Met. © 2010-2021 Bachtrack Ltd. All rights reserved. Composer Ades employs a variety of musical styles, from dissonance to tonality, even a passacaglia for voices. I had forgotten just how strange and self-referential this play is. Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust. The Tempest - Live in HD (DVD) - Met Opera | DVDS & BLU-RAYS | … The libretto uses contemporary vocabulary. Among the rest of the courtiers, most memorable were the lightly pompous lines of Toby Spence as the arrogant Antonio, recast since his 2004 turn as Ferdinand but certainly a draw in this slightly more interesting role. With a huge amount of time on stage to compound the difficulty of the part, it’s not a role to tackle lightly, but a more compelling performance than Keenlyside’s is hard to imagine. Amongst others new to the cast are soprano Kate Royal as Miranda and countertenor David Cordieras Tri… Adès’ opera doesn’t acknowledge its debt to Shakespeare’s Tempest, its near-identical characters and plot transposed from five-Act play to three-Act opera. From among the play’s many themes and possible interpretations, the opera focusses on the difficulty, and the necessity, of mercy. Luna is incredibly virtuosic as Ariel, but Keenleyside as Prospero, Alan Oke as Caliban, and all the rest of a large cast and chorus sing and act Adès' music drama with utter conviction. In Adès’ adaptation, the 41-year-old English composer provides both, along with sharp psychological insight, humor, magic, and a lingering air of melancholy. Thomas Adès’s The Tempest ~ 2Hrs. Ades: The Tempest / Keenlyside, Royal by Adès, Thomas on CD. premiere of Lepage’s staging of The Tempest.Toby Spence sang the role of Ferdinand in The Tempest’s world premiere and now sings Antonio. Occasionally it borders on the rock-lyric trite (Caliban’s “You scorn me and you strike me / You say you do not like me” was a low point) but most of the time the libretto’s concision is admirable, and the way the plot is bent into shape is exemplary – much is expunged and the odd corner is cut, but it doesn’t come across as a simplification so much as a thoughtful reworking. The Tempest, by Thomas Adès, from the Metropolitan Opera, New York. Starring Audrey Luna, Isabel Leonard, Alek Shrader, Alan Oke, and Simon Keenlyside, conducted by Thomas Adès. A rede de cinemas UCI trará, diretamente de Nova York, os aclamados concertos do Metropolitan Opera, maior organização clássica dos Estados Unidos. 22 Mins. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. One weak link in the presentation was the film’s habit of cutting backstage immediately after the end of Acts I and II – it was a shame to break the spell in a work so deeply concerned with illusion, and a production so filled with magic. This same production will play at the MET on October 23, 27 and 31, and on November 3, 6, 10, 14 and 17, in 2012. ‘Shakespeare calls for “solemn and strange music” in his 1612 play about a group of humans and spirits made to share an island in the wake of a shipwreck. Thomas Adès' The Tempest live in HD from the Met, https://bachtrack.com/review-met-opera-tempest-live-hd-kensal-rise, Aleksandra Kurzak impresses as the Met’s new Violetta, To add a comment, please sign in or register. This Saturday night, which I spent watching Thomas Adès’ The Tempest at The Lexi Cinema, Kensal Rise in London, was by far the easiest night at the opera I’ve ever experienced, and as it turned out it was one of the most musically satisfying too, with the sort of almost inhumanly strong cast demanded by both this terrifically difficult work and the Met’s own standards. Find The Metropolitan Opera on Facebook (opens new window) Find The Metropolitan Opera on Twitter (opens new window) Find The Metropolitan Opera on Instagram (opens new window) Find The Metropolitan Opera on Instagram (opens new window) While few of the other parts allow quite as much scope for virtuosity, there wasn’t a weak link among the singers: leads Alek Shrader (Ferdinand) and Isabel Leonard (Miranda) were a doe-eyed and endearing pair, as were drunkards Iestyn Davies (Trinculo) and Kevin Burdette (Stefano). Metropolitan Opera, New York, 2012. Great prices. There is plenty of room for visual thrills in this production, including some stage hands dressed all in black who deftly help Ariel fly, and the set and costume designs are also remarkable – the many tattoos of Prospero (Simon Keenlyside) in particular. By Lynne Gray, PhD. Comandante dell'Ordine dell'Impero britannico «Per i servizi alla musica.» — 8 … Adès and librettist Meredith Oakes’ opera premièred at the Royal Opera House in 2004 and has already travelled widely, enjoying several productions. Directed by Gary Halvorson. Ades' The Tempest - Met Telecast - MusicalCriticism.com (Opera … It wasn’t just its proximity to my house that made the cinema experience so enjoyable – the in-house sound quality was excellent, and on the screen things was generally well presented, with a cheerful Deborah Voigt interviewing people left, right and centre. ‘the effect on the night was clearer, more moving, more human, and more rich than any production of, The opera was simply magnificent, and I felt so proud and excited to have been anywhere near such an act of transformation…Sometimes, something excellent gets the treatment it deserves. The Met Opera on Demand service offers annual ($149.99) and monthly ($14.99) subscriptions as well as a one-off payment ($4.99) for those who have limited time or only want to watch the occasional opera. Filmografia. If you do not wish for us to use your image, please tell a Met staff member. Note: This opera can be viewed at www.metopera.org. The Tempest This was a good idea. In the mythical, mystical world of Thomas Adès' Tempest, there are rich aural experiences associated with the island and its denizens: wild storms and eerie calm; smooth, politic betrayal and innocence so profound as to be unwittingly cruel.Allusive orchestrations are given unexpected twists. While that might sound too bookish, the opera itself doesn’t; it’s hard to think what more you could ask of a new operatic work, and especially one which takes on Shakespeare so directly. Adès responds to this romantic, fanciful story with romantic and fanciful music. It all sounds like Adès.’. Colette, regia di Wash Westmoreland (2018) Onorificenze. Adès, The Tempest - Adès/Keenlyside/Luna/Met, 2012 Deutsche Grammophon - Grammy Award for Best Opera Recording 2014. Michael Mayer’s colorful and busy production of, Keeping music live, whatever it takes: Kings Place's Helen Wallace, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, Visual storytelling: Ken Howard on performance photography, Paul was Reviews Editor at Bachtrack from 2012 to February 2014. Adès - The Tempest Thomas Adès - The Tempest. Using his magical powers, Prospero has created a huge storm during which the ship carrying his brother Antonio (who has usurped his position as Duke of Milan) along with King Alonso, Duke of Naples, Alonso's son Ferdinand, and their courts is wrecked. Thomas Adès Conducts the Met’s Premiere of ‘The Tempest’ - The … Using his magical powers, Prospero has created a huge storm during which the ship carrying his brother Antonio (who has usurped his position as Duke of Milan) along with King Alonso, Duke of Naples, Alonso's son Ferdinand, and their courts is wrecked. The Metropolitan Opera introduced its production of “The Tempest,” the composer Thomas Adès’s adaptation of the Shakespeare play, on Tuesday night, with Mr. Adès … Avec son concert inaugural consacré à Mozart et la première de sa production de The Tempest de Thomas Adès, le Festival d'opéra de Québec atteint d'ores et déjà à un niveau digne des plus grandes manifestations lyriques internationales et confirme amplement les espoirs que la première édition de l'an dernier avait suscités. His website is. Opening of the Tempest Photo (c) Met Opera/Ken Howard. This conceit, lighter in effect than it sounds, renews the focus on theatre and illusion which is present in Shakespeare’s original but lessened in Oakes’ effective but gnomic adaptation. The Greene Space at WNYC & … Caliban, on the other hand, was given an appropriately earthy, coarse performance by tenor Alan Oke in a furry suit. Email Signup. Thomas Adès, Robert Lepage, Simon Keenlyside, Audrey Luna, Alan Oke, Isabel Leonard, Alek Shrader, Toby Spence, William Burden, Kevin Burdette, Iestyn Davies, … This product includes GeoLite2 data created by MaxMind, available from, 2012-Oct-23, Lincoln Center: Metropolitan Opera House: The Tempest, https://bachtrack.com/opera-event/the-tempest-metropolitan-opera-23-october-2012/118548, https://schema.org/OfflineEventAttendanceMode, https://bachtrack.com/files/38525-met-opera-logo.jpg, https://bachtrack.com/themes/bachtrack2013/mastheadlogo.png. With Thomas Adès, Deborah Voigt, Simon Keenlyside, Isabel Leonard. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He is unafraid to be direct and emotive, as in Miranda and Ferdinand’s love duet and moments in Caliban’s part (most memorably his “strange noises” speech, which sounded a bit like Elgar at times), but it’s an intelligently contemporary piece as well, which plays out as a kind of quizzical commentary on the spectre of late-Romantic excess which continues to pervade the world’s opera houses. François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta. The story follows Shakespeare's play: the banished magician Prospero regains his humanity after outsiders visit his island. Adès’ complete willingness to engage head-on with opera’s past finds its counterpart in Meredith Oakes’ remarkable text, which shows no qualms about fitting Shakespeare’s story and his language into a new and singer-friendly frame. As Adès commented in a brief interview, it’s a role possible to interpret in many ways (the original Caliban was the completely different tenor Ian Bostridge), but Oke’s take on it had the right amount of heft. The Tempest is inherently dramatic, given its Shakespearean origins, and Adès's music soars to sublime, supernatural heights. Adès' 'The Tempest' is an opera with a libretto in English by Meredith Oakes based on the play 'The Tempest' by William Shakespeare. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion[…] After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. Thomas Adès' The Tempest live in HD from the Met By Paul Kilbey , 13 November 2012 It’s pretty luxurious to be able to stumble out of your front door at ten to six, wander five minutes round the corner to your friendly local cinema, be greeted with a glass of sparkling wine, and then watch a high-definition live screening of a top contemporary opera production at the Met. The Met is wealthier than any other house, and Lepage has a penchant for expensive machines..This was an opportunity for the Met to use its resources to craete something truly magical. Adès' 'The Tempest' is an opera with a libretto in English by Meredith Oakes based on the play 'The Tempest' by William Shakespeare. Cyndia Sieden is the only member of the cast to sing her role, that of Ariel in all four previous productions. 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